Christmas Comes and The Cats Carry On

The joy of floodlights. No climbing on ladders to hang lights from the gutters.

As Christmas approaches this year, I’m rather happy that I have managed to keep ahead of the holiday decorating. When the children were small, I usually started breaking out Christmas trees, lights, nutcrackers and all the other holiday gimcracks on the day after Thanksgiving, in the hope that I could get the balance of it done by the end of that weekend. As they have grown up (and one has left home) my efforts have gradually slipped into early-December; while there are some traditional decorations that must go up every year, there are always a few that have been forgotten or fallen out of favor.

The Nutcracker Army stands at attention. I think the cats find them intimidating.

One year, we had four full-size Christmas trees in the house—the primary tree in the bay window in the front room, the traditional “children's tree” (covered with Disney, Muppet, Looney Tunes etc.) in the family room, a basic "lights-and-balls” tree in the sun porch, and a large old tree passed down from my in-laws, which was erected in the basement one year and covered with tinsel, white lights and a host of those old-fashioned, blown-glass German-style bulbs. That was not long after we moved into the house; we had the basement partially fixed-up for kids to play in, and we invited all my aunts, uncles and cousins over. Note: My mother was from a family of twelve, and I have at least 64 first-cousins, so you may understand when I tell you we only did this once.

The foyer, with it's nutcrackers and much-abused floor.

Currently we had been hosting my three older brothers and their families for Christmas on a rotating basis every three years—now my nephews and nieces are beginning to join the entertaining queue, since it has become more of a challenge for my aging siblings and the younger generations are eager to pick up the slack. This is an “off” year for us, but we do plan on doing some entertaining over the holidays, and our daughter will also be coming home from Manhattan Christmas week.

A Refreshing Houzz Take on Tudor Revival Interiors

A Tudor Revival interior that embraces its unique details and original
woodwork. Courtesy Stonewood, LLC

I was heartened to see a story on Houzz the other day regarding the continued popularity of the Tudor Revival style in American homes, including an outline of its basic visual elements. Architect Steven Randal does a fine job of distilling the style's most essential design cues, and best of all, the story includes some excellent photographic examples of contemporary Tudor Revival interiors. The collection of images included with the article fully dispels the notion that these rooms are dark and dusty museum set-pieces.

Another room that blends with contemporary style.
Courtesy Margot Hartford Photography

The story was refreshing for another reason (one which I have noted more than once) regarding the “typical” rooms one sees when visiting Houzz. More and more, it seems that almost every room featured on the website is bathed in white; white woodwork, white cabinets, white floors, white furniture…all combined with a very trendy, “hip” design aesthetic that looks like it was inspired by any one of a hundred DIY-design-craft -blogs. I’ve found this to become fairly tiresome, and it’s only remedied by entering a more specific site search for rooms offering more traditional styles, more color, or more of anything not defined by “trendy.”

As I noted, the photos accompanying this story are helpful, in that they offer a clean and contemporary look that embraces each home’s Tudor details instead of painting them out (in white) or de-emphasizing them. This is not always an easy problem to solve, as we will eventually be looking to update the interiors of our own house, and need all the inspiration we can find.

You can reference the full article HERE.

Not a Change in Direction. An Expansion of Subject.

When I first created this website, I wanted to have someplace where I could talk about the kinds of houses and buildings I loved, remember the people who designed and built them, recognize people who maintain, live in and restore them, and survey related topics in design, the arts, lifestyle and popular culture—including books.

Having utilized much of this accumulated information in the design of my own home—I have chosen from time to time to write about some of the projects I’ve worked on since building our house almost 25 years ago.  Some of the posts have involved thoughts on decoration, some are how-to’s (or maybe how-I’s) - that discuss things I’ve had to fix; other posts have simply touched on my own thoughts about building and design.

This is a bar-height island I am building in the basement using 2" x 4" framing and some used bi-fold doors. More on this project later...

As I’ve mentioned before, while I had very specific ideas about the design of my own house, budgetary issues (I was 34 when we built, and modestly employed) forced a number of compromises, some of which I have been able to remedy over the years. Many still remain, and I will increasingly use the website to discuss how they are being addressed, for after all—when is a house ever truly finished? When we built, I knew I would have to plan for the long term, assuming that some materials, designs and finishes would make an appearance at a later date. Sometimes much later, as it turns out.

I am a notorious procrastinator, so the fault is mostly mine. After some deliberation, I find myself in a good position now to make it down the home stretch and finally get things as I originally envisioned them years ago, when I set plans to sheets of vellum (yes, no 3D renders for me) and started searching for a general contractor.

So, interspersed among the posts on historical houses, old architecture books, preservation/heritage issues and related commentary—you can expect to see more “hands-on” bits and pieces about things I am doing inside the house.

I’d be remiss if I didn’t admit that I have clearly noticed the popularity of so many design and “how-to” blogs; so I feel it is a natural course to develop this approach as I go along. It’s a chance to further explain—in practical terms—how I try to integrate whatever knowledge I have accumulated and my own design sensibilities into the projects I take on inside these four walls.

If, Dear Reader, you care to comment, share your thoughts or experiences, or ask questions, I will sincerely appreciate it, and would love to hear from you.

The Curse of Current Events

Even I am subject to letting my feeling be known when it comes to politics and current events in the news. As are many, I am deeply troubled by the course things have taken since the election of Mr. Trump to our land’s highest office—and I have made mention of it at least once in my TLG Tweets. But I think…only once.

Which is precisely the reason I maintain multiple accounts; most of my gripes and tirades are on my personal account, which is where I focus on other interests like book publishing, advertising, marketing and urban development in the town where I live. Political and personal tweets, as they are, seem to fit in much better there; I don’t feel right subjecting my TLG audience and followers to my political views, even though I expect that, for the most part, their views may be largely sympathetic to my own.

On That Stack of Magazines in The Basement...

Long before I built my own house in 1992, I always enjoyed buying home improvement, interior design and related types of magazines. I believe it started with the old Metropolitan Home in the very early 80’s and copies of Architectural Digest (many of which I still have) a few years later. Once we decided to build a new home—of English design—I started buying UK magazines like House & Garden, British Homes & Gardens, Country Living, Period Homes, Homes & Antiques, Country Homes & Interiors, Period Living, and of course, Country Life.

I still have dozens of them stacked quietly in the basement; much to my wife’s chagrin, I seldom throw good magazines away, especially when I paid six to eight dollars apiece for them 15 or 20 years ago. I always thought they would be valuable for reference or inspiration, and after taking some time to relax with a glass of ale and look through a dozen or more copies a few days ago, I take comfort in the fact that I was right to do this.

And You Thought the Academy Awards Were WHITE...

Years ago, when I first dreamed of building a house of my own, I often dropped into newsstands and book stores to pick up copies of magazines like Country Life, British Home & Garden, Period Home, BBC Homes & Antiques and many others, seeking inspiration. I knew I would never have the means to build what I really wanted, but I hoped that by reading, training my eye and getting a “feel” for what was appropriate, I could come fairly close to envisioning my dream.

Over the years, I have amassed quite a library of books on English architecture and traditional home design. I also managed to horde a lot of those old magazines, which are still well-preserved in my basement.

Beautiful Overview of Cotswolds Architecture: Where Five Valleys Meet

.

PHOTO CREDIT: Toneshots.com

The perfect thing to enjoy with your morning coffee can he found on Rosemary's Where Five Valleys Meet blog, where she shares a brief glimpse into some of the beautiful architecture to be found in the Cotswolds. Long known for its picturesque beauty, the region features many of England's finest stone houses, and one of the best -- Stanway - is featured here. I've always been particularly fond of the gatehouse, and there is a beautiful photo of that to accompany the post as well.

PHOTO CREDIT: Where Five Valleys Meet

Owned by Tewkesbury Abbey for 800 years, then for 500 years by the Tracy family and their descendants, the Earls of Wemyss, Stanway House is currently the home of Lord and Lady Neidpath.  Thanks to its location, at the foot of the Cotswold escarpment, Stanway has been protected from many changes of the 20th century, but the last decade has seen the gradual restoration to its former glory of the 18th century watergarden, probably designed by the greatest of British landscape gardeners, Charles Bridgeman.

So...What is a Long Gallery, Anyway?

The Long Gallery at Haddon Hall.

In practical terms, a Long Gallery was a type of room popular in great Elizabethan or Jacobean houses of the prodigy type, sometimes the width of a façade, as at Hatfield House, (1607–11), and Hardwick Hall, (1590–7). Usually well lit by means of large, lavish windows and sumptuously appointed with chimney-surrounds, panelling, and finely-moulded ceilings, it was an extrordinary environment for the times, primarily devoted to hanging tapestries and portraits, entertainment, games and even excercise in bad weather. It was chiefly during this period that the long gallery became the primary reception room in many great houses.

When we chose The Long Gallery as the name of our website, we were really looking at it as a metaphor. The long gallery of an Elizabethan house was used as a place of delight, and as a place for prominently displaying art and other valued objects so that the owner might take joy in them and show them off to others. In essence, it was a special place, created to feature and highlight all that was especially fine, interesting, or worthy of comment and observation.

Our website was developed to fulfill much the same role. Whether it is Medieval, Elizabethan, Jacobean, or Victorian Revival architecture, style, art, or design (or relevant history) - we seek to bring you the best examples from the past and the present. Whether you're protecting and preserving a building of this type, trying to recreate the feeling of the period in your home, or incorporating something of this period into your lifestyle, we want to be a resource for you. We hope you'll visit us often and walk through our Long Gallery to see what we have found.

In this post, we wanted to share some photographic examples of various long galleries that we have come across. We hope you will enjoy them. If you have any examples you would like to share with us, please send them along to us.

MS

Pardon Our Plaster Dust as we Build a Better-Looking Site for TLG

AN INSPIRATIONAL PHOTO OF THE LONG GALLERY AT HATFIELD HOUSE - COURTESY OF ANGEL + BLUME BLOG

In an effort to build a more attractive and comprehensive site for TLG, we've been re-building the site from the ground up to provide a better look and a much wider range of content. First, we found an exciting new Blogger template, courtesy of Dzignnine, and managed to integrate it with a number of useful widgets and tools.

We are re-working and expanding the book store, enhancing several of our special content areas covering music, food and lifestyle...and generally "tarting up" the site to make it more appealing and inspiring. There is still much to do and many areas to organize, but the effort has begun in earnest and we hope our readers will be happy. Here's all the best for a great 2012!


MS.

Into the Past -Through the Peeper's Looking Glass

One of the most entertaining sites I've found on the web is The Victorian Peeper, which focuses on a wide-range of miscellanea covering nineteenth century Britain. Not only does the blog offer a wealth of original and entertaining insights, but it probably offers the most comprehensive list of Victorian related links to be found anywhere on the Internet. These include news articles, book reviews, exhibitions and events, festivals...just about every relevant item for which you could ask.

The Victorian Age is always of interest to me, especially in terms of the architectural revivals that came about during this time. The scholarly study, interpretation and re-interpretation of historic building styles was perhaps unsurpassed, and the period's architects--Shaw, Devey, Webb, Butterfield, Pugin and many others--produced much of the century's most memorable work.Though famous for not being easily amused, I doubt that even Queen Victoria herself could fail to be amused by The Victorian Peeper.