Wednesday, November 18, 2015

Buildings Under Threat: But What Will Be The Response?

ST. PAULS SUNDAY SCHOOL & PARISH HOUSE - BUILT 1880'S.
Back in 1986, I was sitting in the kitchen of Elsie Snyder, a local preservationist, along with a few other people, wondering what we could do to avoid the demolition of an old historic apartment building near Akron’s Grace Park. Those gatherings, and that initial effort—which ultimately proved to be unsuccessful—led to the founding of a local group called Progress Through Preservation, (now known as the Preservation Alliance of Greater Akron) which still operates today. I bring this up for two reasons. One – more of our local historic structures are seriously threatened with demolition. And Two – I am wondering if anyone in Akron will make a concerted effort to stop it.

The buildings in question are two of Akron’s most historic, and have been listed on the National Register of Historic Places for many years. They include the former St. Paul’s Episcopal Church and adjacent Sunday School Building and Parish House, located at East Market and Forge Streets. These remarkable gothic structures are among the few remaining links to 19th Century Akron, and the Sunday School is one of the better preserved examples of the historic “Akron Plan” that was developed by Lewis Miller and utilized in hundreds of church buildings across the nation up until WWI. They are attractive, generally well-preserved structures, dating from the 1880’s – 1890’s.

Friday, October 30, 2015

Video Book Review: Greater Medieval Houses of England & Wales - Vol. 1

Here is the first of our video book reviews - or as I like to call them: New Reviews of Old Books. As regards my reasoning for this, please refer to this recent post. As you will see, while I have nothing but praise for the book's content, the quality of the printing and publication (not the design) leaves something to be desired.


To make things a little clearer, I am including here a couple of photos of the interior of the book. The overall layout and design is fine, but the printing process used (I assume digital, since I feel this was a short-run book) was perhaps not up to the task, as the photographs do not have the requisite contrast and detail one would prefer. Even the stock paper is a little thin; you may be able to see bleed-through text from the other side of the pages.



Thursday, October 22, 2015

Book Review - Simple Rules: What the Old Time Builders Knew

Tudor cottage renovation - Shannon Taylor Scarlett, Architect 
Those of us who study, restore or would like to live in an Olde English Home may already have some grasp of their essential design elements. This has not stopped us from often wondering why so many modern homes lack the charm, proportions or design quality of the real thing—or even of well-designed revival houses.

For those who are still wondering, or who may be considering a building or remodeling project, I would recommend architect Shannon Taylor Scarlett’s Simple Rules: What the Old Time Builders Knew, a compact volume of observations, quotes and drawings that help put these design issues in perspective. I was fortunate to download the Kindle version some time ago (it is just $4.99) and was happily rewarded when I recently rediscovered it during a few idle moments on my iPhone.

This brief review of design principles—it is just a little over 100 pages—provides a helpful foundation for those who are interested in traditional approaches to design, or who would simply like to unlock the mystery of “why so many older buildings look better.” Scarlett’s book makes it clear that it’s not just a matter of appropriating a classical door surround, throwing some half-timbers onto an exterior wall, or tarting up a builder tract house with some Victorian trim work.

The book is highly recommended as a handy reference and a helpful guide to understanding some of the basic elements of “curb appeal.” It’s also available in print from Barnes & Noble.

Friday, October 16, 2015

Delightful Self-Built Remodel in Shropshire

Normally, planning authorities don’t look favorably upon building plans when they include significantly remodeling an older structure in order to vastly change its appearance or character. However, if the existing house is unattractive, impractical, or where it does not warrant extensive protection, then allowances can be made.

Such is the example I recently came across on Homebuilding and Renovating—a Tudor Revival remodel in Shropshire that really combines a number of clever tricks and some original thinking to deliver a very convincing and attractive home. Yes, there is some sleight-of-hand going on here; steel beams have been covered in plaster, then grained and finished to look like wood. Stone-like door surrounds are actually made from cast-moulded concrete, and then weathered to look like stone.

Purists may wish for “the real thing” but I cannot argue with the end result. Such is my own experience that the budget of most people—especially where new building projects are concerned—cannot always sustain the use of traditional materials, though they would clearly be our first choice. Creative and available substitutes can often be employed, and this home is a fine example of such an approach.

Looking at the end result, the original, nondescript Georgian home has been flanked with half-timbered Tudor side wings, embellished with a jettied porch over the center section, and topped with a high-pitched timber frame roof. As a self-build project, it is quite impressive; the owners, Mark and Julia Swannell, clearly have an excellent eye—as the proportions and architectural detail are very authentic looking. From a distance (other than the fact that the home’s lines are straight and level) one might briefly mistake it for an original. Well done!

SEE THE ORIGINAL ARTICLE HERE.

Thursday, October 8, 2015

Book Reviews on Old Architecture Books? Yes, of Course.

Why would you want to review a book that’s been out of print for thirty years? Or fifty? Or eighty, for that matter?

Well, if I was reviewing fiction or computer programming, I agree, it would make no sense at all. The former is a slave to contemporary taste and fashion, which changes almost daily; the latter is subject to the inevitable march of technology—making today’s technical information soon obsolete.

For those of us who are interested in architecture—and specifically—old houses, there is an entirely different set of issues to consider when reading, collecting and referring to older books:

First, old houses are still old. Where they exist, they generally do so undisturbed over the course of many years, and that is the way people like it. For example, observations made about an old house like Little Moreton Hall in Cheshire in 1920 are generally valid unto this day. While new analyses continue to be made and today’s technology may reveal some new understanding, the scholars of the past continue to provide keen insights on the character, history and appreciation of old houses.

Friday, July 24, 2015

Modern Medieval: Chelsea's New Football Cathedral

Here in the States, sports stadiums can be either hit-or-miss, and their styles are all over the map. There are traditional venues, like baseball’s Fenway Park or Wrigley Field, popular newer venues like Baltimore’s Camden Yards, or huge mega-parks, like the Dallas Cowboy’s AT&T Stadium. The design of sports stadiums is a specialist trade, generally dominated by a handful of successful firms.

With this in mind, I was fascinated by the design for Chelsea’s new football (soccer) stadium, developed by Swiss architects Herzog & de Meuron, who have unveiled plans for a gargantuan new home for Chelsea FC, “inspired by the design of Westminster Abbey”. As The Guardian points out in a recent article about the design:
“If football is England’s national religion, the sport may soon have its very own majestic cathedral…”
With concept drawing currently on display, the design is said to take its cues from the gothic architecture of the Abbey, in whose diocese the stadium once stood. The new plan was commissioned by the club’s owner, Roman Abramovich, and is expected to cost at least £500m.  The plan will also boost overall crowd capacity from 42,000 to 60,000.

Clearly, based on the concept drawings, the proposed stadium looks nothing like what you might expect, using massive masonry, heavy brick piers and soaring vaults. Parts of it recall London’s Victorian railway viaducts, while other parts do resemble a soaring, buttressed cathedral. The design was also created to blend into the dense, urban location of the stadium, as elevated brick walkway will bring supporters directly into the stands above a world of bars, shops and cafes located in the arches beneath the structure.

From what I can see from the rendering, the concept is a little fantastic, a little outrageous, and utterly brilliant. It is highly difficult to integrate the massing, style and unique design elements of medieval architecture into the modern urban landscape without the result looking like a Disney theme park or something that’s just downright ugly. While I’m sure not everyone will love this design, I see it as highly original, and a very successful effort in using medieval architecture as a modern design inspiration.