STBA SPAB 2020 Online Sustainability Conference Begins October 6

This year’s STBA and SPAB Conference will take place online over three days focusing on key issues affecting the traditional built environment: embodied carbon, skills and research. The conference will feature some of the UK’s leading speakers to help participants understand the underlying issues, explore potential solutions and then discuss all this together with a Q&A session at the end of each morning.

The online conference is being held via Zoom;  FULL CONFERENCE TICKET is £100 for non-members and £65 for members for all three sessions. The conference is SPAB CPD accredited. Most presentations will last 40 minutes and be in a PowerPoint style. These will be made available after the conference. To register, go to: https://www.spab.org.uk/civicrm/event/register?reset=1&id=433

Basement Renovation: Part I

The following story is somewhat of a “catch up”—since the process of improving and finishing our basement has involved years of procrastination, interspersed with periods of creativity, hard work, rudimentary planning, adaptive reuse and carpentry. Here goes…

I suppose I am not alone in saying that the state of our basement (or cellar, if you prefer) has always been a sore spot in our household. It seems this is the case for many homeowners.

When we built the house almost 25 years ago, the basement served only as storage for a growing accumulation of little-used “stuff” and a place to do laundry. The best thing about it was that due to the poured concrete walls and our well-drained lot, it was always dry as a bone.

The Challenge of Sourcing Appropriate Period Items

Decorative plaque - provided by TudorArtisans.com - USA

If you are interested in architectural and interior design of the Tudor and Elizabethan periods, or you’re looking to restore a home built in a revival of these styles, one of the primary challenges is to find appropriate materials here in the States. Eighty years ago, it was easy to source such items as plaster cornice and mouldings, fireplaces, brackets, corbels, light fixtures, hardware and furniture that would look right in a Tudor-revival home. Today, there is little available. Other than the handful of legacy remnants available from old line US suppliers like Decorators Supply or Fischer & Jirousch, almost no one makes them anymore, aside from high end custom crafters and cabinetmakers.

Today, most suppliers offer a range of classically-inspired products that would fit well into a colonial or Georgian home, but provide almost nothing that is suitable to an earlier time period. Whether it’s a chair rail moulding, a wooden mantel, or even a wooden interior door—the choices are generally limited to very common traditional designs. Think of egg-and-dart, dentil mouldings, colonial casings or the ubiquitous colonial six-panel door and you know what I mean.

The Curse of Current Events

Even I am subject to letting my feeling be known when it comes to politics and current events in the news. As are many, I am deeply troubled by the course things have taken since the election of Mr. Trump to our land’s highest office—and I have made mention of it at least once in my TLG Tweets. But I think…only once.

Which is precisely the reason I maintain multiple accounts; most of my gripes and tirades are on my personal account, which is where I focus on other interests like book publishing, advertising, marketing and urban development in the town where I live. Political and personal tweets, as they are, seem to fit in much better there; I don’t feel right subjecting my TLG audience and followers to my political views, even though I expect that, for the most part, their views may be largely sympathetic to my own.

Duretta and O'Kast: The Look of Wood for Less

I have long been fascinated by old building technologies; in particular, some of the materials and designed that were developed during the early 20th century. A few months ago, I discussed magnesite stucco, and this time we’ll take a look at a synthetic stand-in for traditional carved woodwork known as Duretta.

Aside from design, one of the foremost properties considered by architects and builders was the ability to be fireproof. This is precisely why stucco, concrete and brick were so popular, and why asbestos was so common in stucco mix, shingles, siding, flooring and other items used in construction.

The New York firm of G.E. Walter developed Duretta for use as a cast material, used to replicate carved wood and metal. It was used for carved wood paneling and wainscoting, door panels, wall friezes, grilles, fireplaces, rails and even exterior half-timber work. Company literature only describes it as a “plastic, fibrous, composition material” – though its exact formula is not known, the fact that it was clearly described as being fireproof would lead one to think that asbestos and perhaps some gypsum may have made up at least part of the mix.

Finishes for Duretta varied; most items were finished to look like wood, and the company claimed that when so finished, it was practically indistinguishable from the real think. Other pieces were finished to look like hammered metal, and still others were provided a special, more durable finish for exterior work.

Fenceposts: A Story of Deferred Maintenance

Sometimes a fence is more than just a fence. When I built our house back in 1992, I needed something to help “enclose” the small space created when I pushed the garage back about 15 feet from the front of the house. With an entry to the kitchen placed in-between and room for a small patio on either side of the driveway, the result was a modest “courtyard” that begged to be enclosed by a fence of some sort.

I eventually settled on a white picket fence, which runs only about 8 feet on either side of the driveway, connecting to the house at one side and ending at the property line on the other, then turning back along the boundary there for about 15 feet before ending even-up with the front of the garage. The result was a nice, semi enclosed space, where I could keep a table and chairs on one side and storage/waste bins on the other, all hidden behind a 3 foot fence.

To frame it all off properly, I asked the fence contractor to include some large gate posts on either side of the driveway; something about five feet high and reasonably substantial—about 8” to 12” square. I may have given him a rough sketch, but the design he came up with was almost exactly what I was looking for.

Here you can see the way the fence was designed to wrap around the house and tie it into the landscape.

Before he had started on the project, I had looked at the plans and decided that all of this going on at one side of the house needed to be balanced by something on the other side. As a result, I added an 8 foot length of fence (and a gate post that matched those on the other side) on the opposite side of the house; this also turned at the property line and went back about 24 feet along the boundary, enclosing a small part of the yard surrounding our enclosed porch/garden room. Eventually, this area hidden behind the fence would become known to our children as The Secret Garden.

Stucco is Stucco, Right? Not Exactly.

If you love traditional Old English homes, there can be no doubt you will run into some type of stucco or exterior plaster at one time or another. It may be on the exterior of an ancient cob house, the roughcast finish on a Voysey house, the fancy plaster pargetting of an Elizabethan townhouse or even some exterior panels on a “stockbroker Tudor”.

Built in 1914, the traditional-styled English Cottage I lived in for 8 years in Akron’s Goodyear Heights had asbestos stucco covering its first (ground) floor and foundation, with cedar shingles on the upper floor. (I’ve always thought wall shingles were a poor-man’s substitute for the clay tiling used on many English vernacular houses.) The stucco on that house had been painted over, and due to some neglected maintenance, had begun to crack in several places.

On the driveway side of the house, the stucco and its expanded wire lath were both coming loose from the exterior sheathing, to the extent that I could easily insert my hand fully into the gap for almost a foot, which was right next to our dining room window. This could have been the result of some foundation settling and some moisture penetration, but it eventually resulted in the decision to remove a 6’ x 4’ section of the stucco and make a major repair.

Of course, I did not know this was asbestos stucco at the time—but it came off in large pieces, and not being too concerned with short term exposure outdoors—I have no regrets or adverse effects some 25 years later. There was horse-hair in that stucco, too!

In This Case, I'll Say Bravo to "Faux"

To some, the very thought of using one material to simulate another is a vile concept; the quest for “truthfulness” in every aspect of building construction is of utmost importance—and anything that might be considered “fake” or “simulated” should be shunned at all costs.

Of course, this truthfulness has a price, in pure monetary terms, maintenance requirements, or in sustainability. That’s why I gave up the game a long time ago, and decided that I would happily compromise when needed—and if the results looked fine from ten or twenty feet away.

I admire the philosophy of the Craftsman movement, but I cannot afford to sustain it in my own building projects. Clay wall tiles or even wood shingles are beautiful, but I have substituted vinyl where I wanted that effect. Clay or even slate roof tiles are always preferred, of course…but the very-expensive dimensional composite roof that I finally managed to afford 15 years after I moved into my house will have to do (and it does look wonderful). Likewise, the Tudor-style vertical timbering found in some of my gables is wood, yes—but wood that was wrapped in white aluminum, so I wouldn’t have to paint it every few years. I could go on, but I think you get my point.

I know this approach may sound like heresy, but the overall effect is pretty effective, and frankly, I think the house looks better than a lot of modern “Mock-Tudor” houses I’ve seen that do use slightly more traditional materials. This is probably due to the fact that the overall design and proportions are more authentic—the second floor really is jettied out over the front entrance porch, the roof is the proper pitch, and the extra detail I’ve added, like the carved floor-level banding, real wood corbels and even the flowerbox—make it look…right.

Which brings me to the subject of this post, which is a new product available in the UK: Telford-based Faux Wood manufactures and sells reproductions of English oak planks, which have been developed for replacing high-maintenance timber used on Tudor-revival homes. It turns out that a few years ago, one of their customers asked if they could replace the rotten mock Tudor planks on a house facade with a maintenance-free alternative, that better resembles timber than the smooth PVC.

The product that they finally developed is molded from original oak timbers, using high-density rigid polyurethane. It comes in a range of colors, and is designed to be as realistic as possible. While not cheap – about $45 wholesale/$62 retail for a 10 foot plank, I think the product certainly hits the sweet spot with a combination of great looks and low/no-maintenance qualities.

Overall, I think it represents a great example of when original thinking, great technology and good design come together to solve an age-old problem. To read more about Faux Wood, check out this article in the Shropshire Star.

Outstanding 360-degree View of Chastleton House Long Gallery

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As part of it's ongoing series of 360-degree views of outstanding architecure, The Guardian/Observer features the work of Rowan Moore, who introduces a spectacular interactive 360-degree panoramic view of this classic example of the Jacobean long gallery.
CLICK HERE OR ON THE PHOTO TO VIEW THE 360-PANORAMA.

PHOTO COURTESY OF THE GUARDIAN

The Guardian/Observer describes it thus:
"A smallish but satisfying example is in Chastleton House in the Cotswolds, built by a rich wool merchant (or possibly lawyer), whose family later dissipated his wealth and so were unable to alter the original building. Nikolaus Pevsner called the decoration of Chastleton "blatantly nouveau riche, even barbaric, uninhibited by any consideration of insipid good taste", but it now it looks gentle and charming, softened by wobbles in wood and plaster and the fall of light. It is also more bare than it would have been, in the absence of its original artworks and tapestries."

Pardon Our Plaster Dust as we Build a Better-Looking Site for TLG

AN INSPIRATIONAL PHOTO OF THE LONG GALLERY AT HATFIELD HOUSE - COURTESY OF ANGEL + BLUME BLOG

In an effort to build a more attractive and comprehensive site for TLG, we've been re-building the site from the ground up to provide a better look and a much wider range of content. First, we found an exciting new Blogger template, courtesy of Dzignnine, and managed to integrate it with a number of useful widgets and tools.

We are re-working and expanding the book store, enhancing several of our special content areas covering music, food and lifestyle...and generally "tarting up" the site to make it more appealing and inspiring. There is still much to do and many areas to organize, but the effort has begun in earnest and we hope our readers will be happy. Here's all the best for a great 2012!


MS.

ABC's Extreme Makeover Gives Cleveland-area Family Tudor-Revival Home

With thousands of onlookers lining the streets, the cameras of ABC's "Extreme Makeover: Home Edition" rolling, the principals of Marous Brothers Construction and their sister, Sue Marous, watched as the Paul Anderson's family arrived at their new home on Anthony Street in Willoughby, Ohio. The company was selected to be the builder and general contractor for the project, which took six days to complete with the help of an estimated 4,000 volunteers working around the clock. It was the 177th episode of the popular show.

PHOTO CREDIT: The News Herald.

Sue Marous said the company was "deeply honored" to have been chosen by producers of "Extreme Makeover" to build the 3,500-square-foot, English Tudor Revival style home for a family with special needs. The four-bedroom home replaced the family's modest 50-year-old, 1,200-square foot house. Chris Auvil, who serves as staff architect for Marous Brothers Construction, said the new home has many modern features including fingerprint readers on doors and bar-code readers on kitchen cabinets to identify various food items.

Though many modern examples of revival style homes fall well short in terms of historical accuracy, scale, proportion and visual appeal, we'd have to admit that--based on our initial impressions--this particular home is pretty well done. It certainly appears more authentic than most modern attempts, and although we might have suggested a few alternate choices in terms of some materials and details (like the white columns at the entrance) they basically got it right.

Beautiful Laser Images of Gothic Structures are Works of Art Themselves

A small team of experts at the Glasgow School of Art have have reach a whole new level of sophistication with their innovatine and super-precise laser image modeling techniques, which are millions of times more detailed and accurate than even the best photographs or films. In fact, the images are precise down to a fraction of a millimeter.

PHOTO CREDITS: The New York Times.

Not only are the images of incredible value in terms of documentation and potential restoration, but one look at the images themselves reveals some very unique and awe-inspiring designs. Using their advanced technology, the experts can now imagine what objects may have looked like long ago. With the ability to simulate the effects of climate change, urban encroachment or other natural or man-made disasters, they also have a way to project what a site may look like in the future as well.


After scanning a decaying iron bridge in Dundee, the team eventually took on additional projects, at sites like Stirling Castle and Rosslyn Chapel, the 15th-century Gothic fancy to which The Da Vinci Code has brought a great deal of attention. According to a NYT article:

The basic principle behind the laser technology is simple: A box, with a laser inside, sits on a tripod; as the box slowly rotates 360 degrees, the laser, moving up and down, bounces its beam off whatever is solid in front of it. In so doing, it registers some 50,000 points in space every second. Traditional surveyors might produce a couple of hundred measurements a day, prone to subjectivity and human error. Lasers collect millions of measurements per hour. A scanner can even identify certain materials, determining whether something is, say, made of glass or stone.

The benefits of storing and distributing state-of-the-art views of the world’s most precious cultural and historic sites at a relatively low cost are plain. Canadian-born Douglas Pritchard is the wizard behind the Digital Design Studio at the art school, heading the Scottish laser expedition with David Mitchell, director of Historic Scotland’s Technical Conservation Group. Check out the complete NYT article HERE.

Found: Digital Library Preserves Decorative Arts Books Online

We recently came across The Digital Library for the Decorative Arts and Material Culture, and online image and text collection that forms a part of the University of Wisconsin's Digital Collection. We all know there are thousands of valuable architecture and design resources out there in the from of old books that hopefully will be scanned and organized in the years ahead; this particular collection is a nice example of how these books can be made available online.

PHOTO CREDITS: Univ. of Wisconsin Digital Collection.

The book we've highlighted here is titled The house decorator and painter's guide; containing a series of designs for decorating apartments, suited to the various styles of architecture - by Henry William Arrowsmith. Originally printed in London by Thomas Kelly in 1840, the 120-page book features 61 illustrations, many of which are hand-colored. The full online version of the book can be found HERE.


The Digital Library collects and creates electronic resources for study and research of the decorative arts, with a particular focus on Early America. Included are electronic texts and facsimiles, image databases, and Web resources. Made possible by the Chipstone Foundation, the project is produced at the University of Wisconsin Madison General Library System.

Gothic PC Marries Technology with Medieval Style

Self-styled "Datamancer" - Richard "Doc" Nagy is well-known for his unique and inspirational "steampunk" contraptions, which can be seen on TV shows such as SciFi Channel's Warehouse 13, who contracted with him to have some special props made. Nagy uses a lot of creativity and ingenuity to combine modern technology with turn-of-the-century and medieval-inspired decorative designs--resulting in truly unique and useful art.

PHOTO CREDIT: datamancer.net

One of my personal favorites is the "Archbishop" Gothic PC, [above] a PC/LCD/Keyboard/"Mouse" combo that was built using Gothic design elements. The LCD monitor lives inside a scratch-built Gothic arch with quatrefoil designs and stained-glass doors. The PC case features the same Morisco-patterned glass, brass embellishments, a hinged lid for access to the drives and hardware, and soft, ambient red lighting. Built as a gaming computer - it's a real high-performance PC, not just a showpiece.

While this particular model is sold, Richard will be happy to build another one for you upon request. While "steampunk" inspired design might seem to be at the very edge of what we cover at TLG, the Victorian and Gothic themes used in so many of the designs are quite appropriate to Medieval and Tudor interiors. After all, there can be little doubt that the "Archbishop" PC would look better in your library than a beige box.

To see more of Nagy's work, check out his remarkable website and blog.

The Tudor House that Twitters

Dr Andy Stanford-Clark has fitted his grade 1 listed Tudor cottage with hundreds of sensors, allowing everything from energy usage to the burglar alarm to be relayed by the the internet messaging service Twitter. The result? Now the rustic and charming cottage has been converted into one of the most hi-tech homes in the world.

PHOTO CREDIT: www.telegraph.co.uk.

Now the house can tell its owner when his dinner is ready, if someone is at the door or when a mouse has been caught in a trap. If he leaves a light on or a water tap running, the house will automatically tweet him - instantly alerting the 43-year old engineer and master inventor for computer firm IBM. Dr Stanford-Clark started renovating the house five years ago, installing sensors to monitor power usage, but later realized the potential that Twitter had to offer.

Stanford-Clark explains that he is interested in how how objects could be connected to the internet - especially "tweetjects" - objects that Twitter. Not surprisingly, the house can also be controlled over a mobile phone, allowing him to switch on appliances in the cottage when he is out of the house. “It's a bit of a showcase for the technology,” he said.

Happily, the high-tech system makes use of wireless sensors wherever possible because the cottage is a listed building. To read the entire article, go HERE.